Department News 11-12-18

This weekend is BYU’s 25th annual Final Cut Film Festival. This festival allows students of all majors to submit short films to be screened in the Pardoe Theatre. Due to the large quantity of submissions, a selection committee carefully reviews each year’s submissions to determine which should be included in the actual festival. This year’s festival organizer, Scott Christopherson, remarked on the importance of this opportunity for student filmmakers: “You can show your film to your friends, and they might sugarcoat it, but when you show it to the public, they’re either going to laugh, or they’re not; they’re going to emote, or they’re not… A festival gives students a goal to work towards. It pushes them to create better work because they know that people are going to see it.” Scott has personally experienced the potential opportunities these film festivals can provide; he also participated in the Final Cut Film Festival when he was a student at BYU. His work “Only the Pizza Man Knows” won Best in Fest and caught the attention of other filmmakers that would later become his greatest friends and connections in the field.

The Final Cut Film Festival will be held from Thursday, November 15 to Saturday, November 17. In addition to the short film submissions, the four fiction and two nonfiction media arts capstone projects will also be screened, making a total of 19 films being shown. To maximize the number of submissions screened, different films will be shown each night and the final night will be followed by an awards ceremony. For more information about showtimes and which films will be shown each night, click here. For access to ticket purchase, click here.

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Radium Girls opens this weekend and with only nine characters playing 40 roles, the play “is a fast-paced snapshot of the true story of what happens when the American dream bumps up against the realities of health, wealth, and big business.” Commenting on the unique aspects of this production, director Stephanie Breinholt said, “It’s a nice challenge for the actors and for me in staging all of these different scenarios in one very simple space without a lot of props or furniture… The actors change costumes in the blink of an eye, or even one moment they’re one character, and then they turn and they’re another character.”  One of the things the dramaturg, Pollyanna Eyler, tried to help the cast deal with was how to understand how people could jeopardize others’ lives when they were aware of the risks. Eyler points out that, “Even the ‘bad’ people, they’re not villains. They’re just real people with real intentions of trying to do what they think is appropriate in the situation.” Breinholt also remarked on how impressed she was with the actors’ ability to empathize with their characters saying, “I love that the cast is finding positives in every character… You could go in with quite a bit of bias, especially against the characters that represent the Radium Corporation, but they’re finding the humanity in every character. It’s not just a cut and dry story. Everyone has good qualities, but they make some glaring mistakes.”  For more about the production, click here. For access to showtimes and tickets, click here.

Megan Sanborn Jones and the current grad cohort of 6 students attended a one-day (October 31) Frantic Assembly workshop to learn the “Frantic method,” which is a way of creating physical theatre using the principles of pressure, counterbalance, and team work.  We created some lovely duets and group movement pieces, and concluded the workshop with a group choreography with all the participants.  The best part of the day was the ride back and forth to SLC in Megan’s mama van, where we talked about art, history, baby names, and the gospel. Frantic Assembly also conducted a workshop here on campus with Kris Jennings, Julia Ashworth, and their students.  They participated in similar experiences, where they learned the principles of the Frantic method in devising theatre stories.  Frantic Assembly teaches a method of devising that is one of the most studied and praised theatre companies working today.  Their work has always been about more than the work on the stage.  It is about the ethos of collaboration, empowerment, and of the constant desire to improve, telling stories in a voice we don’t always hear and finding talent in places we don’t always look.  The group has toured extensively across the UK and worked in over 40 countries internationally collaborating with some of today’s most inspiring artists.  Below are some of the fun things they did at the workshop on Saturday, November 3.


Student News

Anna, directed by Billy Knowles, just won Best Student Drama Short and Best Director Student Short at the Los Angeles Independent Film Festival Awards. Anna was screened last week at the media arts forum and will be screened this weekend at the Final Cut Film Festival.

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Department News 10-22-18

We congratulate Scott Christopherson, whose film, The Insufferable Groo, was accepted into the DOCNYC Festival. According to the DOCNYC website, the festival, which is the largest in the U.S., will screen 135 feature documentaries, including 42 world premieres and 17 U. S. or North American documentary premiers, of which one is The Insufferable Groo.  The festival takes place Nov. 8-15, 2018. Since 2014, the festival has been voted by MovieMaker Magazine as one of the “top five coolest documentary film festivals in the world.” Scott plans to attend the festival.  Here’s a link to The Insuffferable Groo’s show time and trailer: http://www.docnyc.net/film/the-insufferable-groo/


Based off of the novel by Agatha Christie, The Mousetrap tells the story of a group of people stuck in local bed and breakfast due to a snowstorm. They soon realize that a murderer is in their midst and what was supposed to be a winter getaway turns into a tale of terror with a shocking ending. Directed by David Morgan, BYU’s production adds to the legacy of The Mousetrap, the longest running play in history. Hannah Gunson-McComb, the show’s dramaturg commented on the show’s amazing history, saying, “Normally I’d be worried about how labored a show like this would be, but working with David Morgan and his efforts to deliver a fresh-faced ‘Mousetrap’ has helped get to the original heart of the show. I think the play itself is timeless because Agatha Christie is so good at writing, but this production is exciting and delicious because of David’s directing.” Shows start this weekend, Friday, October 26. For more details, showtimes, and tickets, click here.


Microburst Theatre played in the Nelke Theatre this past weekend and featured an impressive display of student works. Featured playwrights and their works included: “A Sentimental Journey” by Susanna Bezooyen which tells the semi-biographical narrative of her grandmother who was widowed at 23 with three children during World War I; “Drive Ins” by Mariah Eames chronicles the consequences of alcoholism on a father-daughter relationship; “Fleeting Like Butterflies” by Greta Gebhard features a lighthearted conversation between a bookworm and a klutz as they wait for their bus; “Will I” by Daniel Barton presents a work open to interpretation about a man struggling with the death of his wife; “Sepulchre” by Katelyn Anderson tells the story of two Hungarian officers treating a Soviet soldier during World War II; and, “The Abnegation” by Mandarin Wilcox which showcases the difficult decision a Mormon girl faces when deciding to serve a mission. All the pieces were seamlessly woven together by nostalgic Doris Day music tracks and even with minimal props and costumes, the magic of theatre was still very powerful! Audiences were enthusiastic about the works and the playwrights were able to receive praise and suggestions for their plays. A special thanks to director George Nelson who was able to bring these works together into one night of student talent.


October 31, All Hallows Eve, in the HFAC will feature The Mousetrap, Agatha Christie’s classic mystery thriller and LORE, stories told by Aaron Mahnke with the haunting music of Chad Lawson, who has been collaborating with Aaron on most of the LORE podcasts.  LORE is “an award-winning, critically acclaimed podcast that exposes the darker side of history, exploring the people, places, and things we fear the most.”  The LORE podcast series won iTunes “Best of 2015” & “Best of 2016“ as well as the “Best History Podcast 2016” by the Academy of Podcasters.  In addition, the series has over 16,000 5-star reviews on Apple Podcasts and over 123-million listens. Here’s a link to the podcasts: https://www.lorepodcast.com/episodes/  You won’t want to miss this spine-tingling evening!